CDs

On “Meu Bandolim,” (My Mandolin) Marilynn plays the music of Rio rodas and her own original choro with host of Brazilian friends. The pieces on the CD were written by bandolimists, to showcase the beauty of the instrument, and are performed by Marilynn in a variety of instrumental settings. Recorded live in studio, you’ll hear how Marilynn’s style has been changed by the choro music she loves, that continues to draw her to Rio, a city that has now become her second home. Released in 2010, already the CD is drawing acclaim.

Listen to the 1st track,       Siga Em Frente , posted on Mandolin Cafe.

The Blue House is Enigmatica’s 2nd CD, and it nails down the group’s unique spot in the world of mandolin music. From the orchestral richness of Argentinian dances in “Cinco Piezas,” to the simple intimacy of “Anniversary,” the octet shifts gears with ease to create a recording with delightful variety and impeccable musicianship. The CD weaves a colorful tapestry of form and texture arriving finally at the title track, a rock-tinged blast of energy that was written for them and takes the group beyond expectations. No one sounds like Enigmatica; the group has thoughtfully created an artistic definition for mandolin octet.

Listen to the track “      Chacarera ” posted on Mandolin Cafe

The debut CD by Marilynn’s Brazilian choro band, Água no Feijão, includes traditional Brazilian choro and new compositions by Mauricio Carrilho and Marilynn herself. Recorded in Rio de Janeiro, the disc is a party waiting to happen! Marilynn plays Brazilian bandolim, and the band includes tenor and soprano sax, flute, clarinet, cavaquinho, pandeiro, and guitars– 6-string, 7-string, and electric. It’s a new spin on a Rio tradition.

“Leave Something Unexplained” sends Marilynn’s music into new territories and forges new musical alliances along the way. There are duets with frequent partner Adam Larrabee on guitar and mandocello, and duos and trios with musical friends Paulo Sa and Radim Zenkl. Enigmatica adds a Bach tune, and Marilynn plays some solos, adding bass, percussion, and some of her own tunes to the mix. This is Marilynn’s most personal CD ever, and showcases the breadth of her musical interpretation and the delightful freshness of her musical vision.

The 18th century brought the “Age of Enlightenment” to Europe, and grace, elegance, and refinement to its music. Marilynn Mair, mandolin, performs original music from Vivaldi to Beethoven, accompanied by piano and string quartet. From the brilliance of Venice in the Baroque to the elegance of Vienna in the Classical Age, these beautiful pieces reflect a period of extraordinary artistic achievement for the mandolin. Marilynn Mair & Friends bring the spirit of 18th century mandolin virtuosos into the 21st century.”Best Classical CD of 2003″ – www.co-mando.com

Enigmatica, a mandolin septet directed by Marilynn Mair, releases its first CD — Enigmatica: Baroque, Brazilian & Contemporary. From the lush tremolo of “Alma Brazileira” (Brazilian Soul) to the complex counterpoint of Bach’s “Presto,” and quirky brilliance of “Spiral Moons,” Enigmatica conjures up an intriguing musical world. Part chamber orchestra and part plucked-string double-quartet the group paints a dynamic musical panorama, ranging from intimate chamber settings to rich orchestral arrangements.

Marilynn Mair’s all-choro CD features mandolin in combination with a variety of different ensembles, from duets with piano, clarinet, or guitar, to quartets and octets featuring bass, percussion, and instruments of the mandolin family. The music ranges from early 19th-century works, to the classic choro of Pixinguinha and Jacob do Bandolim, and includes contemporary pieces by Mair and her fellow performers. “Best Choro CD of 2003”- www.co-mando.com “Best of Local Artists 2002”- The Providence Journal, Providence RI

This CD is currently out of print. Plans are in the works to re-release it as an mp3 download. Check back later for more information.

“Metro” features the music of Paris, Rio, and New York, performed on mandolin, bass, percussion, melodica, accordion, & guitar. From the title track, written by bassist Nate Davis, the CD winds its eclectic way through Brazilian choro, the music of Eric Satie, French mussette, jazz standards like “Good-bye Pork Pie Hat,” and “Darn that Dream,” and original compositions by group members. Fans of Marilynn Mair’s mandolin will be surprised and delighted to hear her original accordion tunes, such as “Diablo,” “Champagne for Meredith,” and “The Brinsley Waltz,” written for WCQ percussionist extraordinaire, Brinsley Davis. Recorded in three days of live sessions, the CD exudes joie de vivre.
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“ZU” features original 20th-century music for mandolin and guitar. The highlights of the disc include Norbert Sprongl’s early 20th-century masterpiece for mandolin and guitar, an award-winning piece from the short and brilliant life of Brian Israel, and the last work of the late Viennese master, Ernst Krenek, commissioned by and written for the Mair-Davis Duo in 1989.

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“Vienna Nocturne,” nominated for a Grammy award, features European plucked-string music from the Classical and Romantic Eras performed on mandolin and guitar. It includes an exuberant version of Scheidler’s “Sonata in D,” Mozart’s songs for mandolin, two of Beethoven’s delightful original mandolin works, and a Strauss waltz with flute, violin, and cello.

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A sensuous and lyrical recording, “Spanish Serenade” features transcriptions for mandolin and guitar of 19th-century Spanish music, along with earlier classical repertoire for the guitar and Brazilian choro. The beauty of this recording evokes the elegance of another era. The album features works by Albinez, Bizet, Pernambuco, Ponce and Granados.

This CD is composed of some of the performers’ favorite English and traditional carols, and seasonal works of some of the great composers, in unique arrangements for mandolin and guitar. Many people claim the warmth and simple beauty of “The Sounding Joy” keeps them sane when the holiday season threatens to turn frantic.

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Recorded by New England Mandolin Ensemble, 2007

Marilynn plays mandolin & mandola.
This disc includes jazz, classical, and traditional folk music sounds, and features both intricately-composed and improvised music for four mandolin-family instruments.

Listen to NEME’s recording of her composition “      East of Here ” arranged by Mitch Nelin.

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